Contents
This delightful book describes the symbolism of real-world architecture, as well as architecture described in fiction, myth and folklore.
Lethaby believed that architecture reflected the macrocosm.
He speculated that many of the seemingly ornamental details of classical buildings actually represented aspects of the land, the sea and the sky.
This is one of those books like the Golden Bough or the White Goddess (albeit shorter and a less challenging read)
that will turn you on to the mythopoetic side of reality, no matter whether you agree with its conclusions.
Title Page
Preface
Contents
Introductory
Chapter I. The World Fabric
Chapter II. The Microcosmos
Chapter III. Four Square
Chapter IV. At the Centre of the Earth
Chapter V. The Jewel-Bearing Tree
Chapter VI. The Planetary Spheres
Chapter VII. The Labyrinth
Chapter VIII. The Golden Gate of the Sun
Chapter IX. Pavements Like the Sea
Chapter X. Ceilings Like the Sky
Chapter XI. The Windows of Heaven and Three Hundred and Sixty Days
Chapter XII. The Symbol of Creation
Lethaby believed that architecture reflected the macrocosm.
He speculated that many of the seemingly ornamental details of classical buildings actually represented aspects of the land, the sea and the sky.
This is one of those books like the Golden Bough or the White Goddess (albeit shorter and a less challenging read)
that will turn you on to the mythopoetic side of reality, no matter whether you agree with its conclusions.
Title Page
Preface
Contents
Introductory
Chapter I. The World Fabric
Chapter II. The Microcosmos
Chapter III. Four Square
Chapter IV. At the Centre of the Earth
Chapter V. The Jewel-Bearing Tree
Chapter VI. The Planetary Spheres
Chapter VII. The Labyrinth
Chapter VIII. The Golden Gate of the Sun
Chapter IX. Pavements Like the Sea
Chapter X. Ceilings Like the Sky
Chapter XI. The Windows of Heaven and Three Hundred and Sixty Days
Chapter XII. The Symbol of Creation
