Eddas And Sagas. The Duergar
The Duergar
By ek fur jrth nethan,
A ek, undir stein, stath.
Alvis--Mal.
(I dwell the earth beneath,
I possess, under the stone, my seat.)
These diminutive beings, dwelling in rocks and hills, and distinguished for their skill in metallurgy, seem to be peculiar to the Gotho-German mythology [a] Perhaps the most probable account of them is, that they are personifications of the subterraneous powers of nature; for it may be again observed, that all the parts of every ancient mythology are but personified powers, attributes, and moral qualities. The Edda thus describes their origin:-
"Then the gods sat on their seats, and held a council, and called to mind how the Duergar had become animated in the clay below in the earth, like maggots in flesh. The Duergar had been first created, and had taken life in Ymir's [b] flesh, and were maggots in it, and by the will of the gods 'they became partakers of human knowledge, and had the likeness of men, and yet they abode in the ground and in stones. Modsogner was the first of them, and then Dyrin."
The Duergar are described as being of low stature, with short legs and long arms, reaching almost down to the ground when they stand erect. [c] They are skilful and expert workmen in gold, silver, iron, and the other metals. They form many wonderful and extraordinary things for the Aeser, and for mortal heroes, and the arms and armour that come from their forges are not to be paralleled. Yet the gift must be spontaneously bestowed, for misfortune attends those extorted from them by violence [d]
In illustration of their character we bring forward the following narratives from the Edda and Sagas. The homely garb in which they are habited, will not, it is hoped, be displeasing to readers of taste. We give as exact & copy as we are able of the originals in all their rudeness. The tales are old, their date unknown, and they therefore demand respect. Yet it is difficult to suppress a smile at finding such familiar, nay almost vulgar terms [e] applied to the great supernal powers of nature, as occur in the following tale from the Edda.
[a] some think, but with little reason, they were originally a part of the Finnish mythology, and were adopted into the Gothic system
[b] the giant Ynsir is a personification of Chaos, the undigested primal matter. The sons of Brr (other personifications) slew him. Out of him they formed the world; his blood made the sea, his flesh the land; his bones the mountains; rocks and cliffs were his teeth, jaws, and broken pieces of bones; his skull formed the heavens.
[c] Gudmund Andreas in notis ad Vlsup.
[d] that they are not insensible to kindness one of the succeeding tales will show.
[e] the habitual reader of the northern and German writers, or even our old English ones, will observe with surprise his gradually diminished contempt for many expressions now become vulgar. He will find himself imperceptibly falling into the habit of regarding thorns in the light of their pristine-dignity.
By ek fur jrth nethan,
A ek, undir stein, stath.
Alvis--Mal.
(I dwell the earth beneath,
I possess, under the stone, my seat.)
These diminutive beings, dwelling in rocks and hills, and distinguished for their skill in metallurgy, seem to be peculiar to the Gotho-German mythology [a] Perhaps the most probable account of them is, that they are personifications of the subterraneous powers of nature; for it may be again observed, that all the parts of every ancient mythology are but personified powers, attributes, and moral qualities. The Edda thus describes their origin:-
"Then the gods sat on their seats, and held a council, and called to mind how the Duergar had become animated in the clay below in the earth, like maggots in flesh. The Duergar had been first created, and had taken life in Ymir's [b] flesh, and were maggots in it, and by the will of the gods 'they became partakers of human knowledge, and had the likeness of men, and yet they abode in the ground and in stones. Modsogner was the first of them, and then Dyrin."
The Duergar are described as being of low stature, with short legs and long arms, reaching almost down to the ground when they stand erect. [c] They are skilful and expert workmen in gold, silver, iron, and the other metals. They form many wonderful and extraordinary things for the Aeser, and for mortal heroes, and the arms and armour that come from their forges are not to be paralleled. Yet the gift must be spontaneously bestowed, for misfortune attends those extorted from them by violence [d]
In illustration of their character we bring forward the following narratives from the Edda and Sagas. The homely garb in which they are habited, will not, it is hoped, be displeasing to readers of taste. We give as exact & copy as we are able of the originals in all their rudeness. The tales are old, their date unknown, and they therefore demand respect. Yet it is difficult to suppress a smile at finding such familiar, nay almost vulgar terms [e] applied to the great supernal powers of nature, as occur in the following tale from the Edda.
[a] some think, but with little reason, they were originally a part of the Finnish mythology, and were adopted into the Gothic system
[b] the giant Ynsir is a personification of Chaos, the undigested primal matter. The sons of Brr (other personifications) slew him. Out of him they formed the world; his blood made the sea, his flesh the land; his bones the mountains; rocks and cliffs were his teeth, jaws, and broken pieces of bones; his skull formed the heavens.
[c] Gudmund Andreas in notis ad Vlsup.
[d] that they are not insensible to kindness one of the succeeding tales will show.
[e] the habitual reader of the northern and German writers, or even our old English ones, will observe with surprise his gradually diminished contempt for many expressions now become vulgar. He will find himself imperceptibly falling into the habit of regarding thorns in the light of their pristine-dignity.
