Plate Xxxii. The Faun's Kiss
Plate Xxxii.
p. 66
The Faun'S Kiss.
Fresco From Herculaneum.
Height, 18 2/25 inches; breadth, 21 10/25 inches.
Plate Xxxii.
The objects of art discovered in the excavations of Herculaneum are, as a rule, far superior in execution to those found at Pompeii. The delightful painting, reproduced faithfully in our plate, has already been given, but very imperfectly, by the academicians of Naples, by David, in the work of Sylvan Marchal, and by Piroli.
What a mingled expression of daring and desire is there in the Faun, who has rushed unawares upon a Bacchant imprudently traversing a solitary and secret place. He has flung her down; his mouth has met that of the nymph, and his hand is stealing over her voluptuous bosom. The beautiful Bacchant, however, far from showing anger at this excess of boldness, displays in every movement of her body a burning intoxication, an impatient lust which chides his delay, and summons him to proceed to closer endearments.
At the feet of the two lovers we may see the pastoral crook ("pedum"), the seven-reeded flute 1 ("syrinx"), the rattle-drum ("tympanum") on which is Painted a cistrum, the thyrsus, and a cercle sans fond.
p. 67
The colouring of this fresco is as brilliant as the design is graceful. The flesh-tint of the two wrestlers differs in, tone just as they differ in sex. Cinnabar has been lavished on the Bacchant's mantle and on the riband of her thyrsus. We recognise in her a nymph of coquettish manners; and the artist has taken care to omit no detail to make us envy the young Faun's good fortune as we look upon her.
The celebrated Canova has imitated this very graceful group in one of his charming compositions.
Footnotes
66:1 The present example has eight; but this was probably an oversight of the painter, to whom we are indebted for this delicious fresco.
p. 66
The Faun'S Kiss.
Fresco From Herculaneum.
Height, 18 2/25 inches; breadth, 21 10/25 inches.
Plate Xxxii.
The objects of art discovered in the excavations of Herculaneum are, as a rule, far superior in execution to those found at Pompeii. The delightful painting, reproduced faithfully in our plate, has already been given, but very imperfectly, by the academicians of Naples, by David, in the work of Sylvan Marchal, and by Piroli.
What a mingled expression of daring and desire is there in the Faun, who has rushed unawares upon a Bacchant imprudently traversing a solitary and secret place. He has flung her down; his mouth has met that of the nymph, and his hand is stealing over her voluptuous bosom. The beautiful Bacchant, however, far from showing anger at this excess of boldness, displays in every movement of her body a burning intoxication, an impatient lust which chides his delay, and summons him to proceed to closer endearments.
At the feet of the two lovers we may see the pastoral crook ("pedum"), the seven-reeded flute 1 ("syrinx"), the rattle-drum ("tympanum") on which is Painted a cistrum, the thyrsus, and a cercle sans fond.
p. 67
The colouring of this fresco is as brilliant as the design is graceful. The flesh-tint of the two wrestlers differs in, tone just as they differ in sex. Cinnabar has been lavished on the Bacchant's mantle and on the riband of her thyrsus. We recognise in her a nymph of coquettish manners; and the artist has taken care to omit no detail to make us envy the young Faun's good fortune as we look upon her.
The celebrated Canova has imitated this very graceful group in one of his charming compositions.
Footnotes
66:1 The present example has eight; but this was probably an oversight of the painter, to whom we are indebted for this delicious fresco.
