Contents
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The Mricchakatika, or Little Clay Cart, is one of the oldest Indian plays known, probably written about the 2nd century BCE.
This is the only work by the author King Shudraka, who preceded the more famous Kalidasa by about five centuries.
Little else is known about the author.
The play is a what is today known as a 'screwball comedy.'
The central character, Vasantasena, is a courtesan, involved in a love triangle.
Courtesans were a class of female entertainers, who were skilled in the arts of love.
They had long-term relationships with their clients, and some become wealthy or even formal wives, (as does Vasantasena), so they had both social mobility and independence.
The characters span society from high to low, including royals, soldiers, priests and a motley crew of commoners.
There is enough action, hilarity, historical atmosphere, and subplots in the ten (!) acts for a TV miniseries, including a cliffhanger at the end which is used to comic effect.
Technical notes: Due to the large number of elaborate paragraph continuations in this text, the continuations are only noted in HTML comments instead of marginally as normal.
--j.b. Hare, December 8, 2007
Title Page
Contents
Note by the Editor
Preface
Introduction
Dramatis Personae
Prologue
Act the First: The Gems Are Left Behind
Act the Second: The Shampooer Who Gambled
Act the Third: The Hole in the Wall
Act the Fourth: Madanik and Sharvilaka
Act the Fifth: The Storm
Act the Sixth: The Swapping of the Bullock-Carts
Act the Seventh: Aryaka's Escape
Act the Eighth: The Strangling of Vasantasen
Act the Ninth: The Trial
Act the Tenth: The End
Epilogue
A List of Passages in Which the Translation Departs From Parab's Text
The Mricchakatika, or Little Clay Cart, is one of the oldest Indian plays known, probably written about the 2nd century BCE.
This is the only work by the author King Shudraka, who preceded the more famous Kalidasa by about five centuries.
Little else is known about the author.
The play is a what is today known as a 'screwball comedy.'
The central character, Vasantasena, is a courtesan, involved in a love triangle.
Courtesans were a class of female entertainers, who were skilled in the arts of love.
They had long-term relationships with their clients, and some become wealthy or even formal wives, (as does Vasantasena), so they had both social mobility and independence.
The characters span society from high to low, including royals, soldiers, priests and a motley crew of commoners.
There is enough action, hilarity, historical atmosphere, and subplots in the ten (!) acts for a TV miniseries, including a cliffhanger at the end which is used to comic effect.
Technical notes: Due to the large number of elaborate paragraph continuations in this text, the continuations are only noted in HTML comments instead of marginally as normal.
--j.b. Hare, December 8, 2007
Title Page
Contents
Note by the Editor
Preface
Introduction
Dramatis Personae
Prologue
Act the First: The Gems Are Left Behind
Act the Second: The Shampooer Who Gambled
Act the Third: The Hole in the Wall
Act the Fourth: Madanik and Sharvilaka
Act the Fifth: The Storm
Act the Sixth: The Swapping of the Bullock-Carts
Act the Seventh: Aryaka's Escape
Act the Eighth: The Strangling of Vasantasen
Act the Ninth: The Trial
Act the Tenth: The End
Epilogue
A List of Passages in Which the Translation Departs From Parab's Text
